Wednesday, February 22, 2012
Night Letters #4 (from the collection: Keeping the Night)
You gave me words in your tongue,
I learned I love you
and goodbye-- words
like hooks in my throat
I gave you a flight of birds
to make visible the winds you loved.
Weights. Anchors.
And they hold down nothing.
(C) Peter Everwine
Wednesday, January 11, 2012
Passion for Solitude - By CESARE PAVESE (Translated by GEOFFREY BROCK)
I'm eating a little supper by the bright window.
The room's already dark, the sky's starting to turn.
Outside my door, the quiet roads lead,
after a short walk, to open fields.
I'm eating, watching the sky—who knows
how many women are eating now. My body is calm:
labor dulls all the senses, and dulls women too.
Outside, after supper, the stars will come out to touch
the wide plain of the earth. The stars are alive,
but not worth these cherries, which I'm eating alone.
I look at the sky, know that lights already are shining
among rust-red roofs, noises of people beneath them.
A gulp of my drink, and my body can taste the life
of plants and of rivers. It feels detached from things.
A small dose of silence suffices, and everything's still,
in its true place, just like my body is still.
All things become islands before my senses,
which accept them as a matter of course: a murmur of silence.
All things in this darkness—I can know all of them,
just as I know that blood flows in my veins.
The plain is a great flowing of water through plants,
a supper of all things. Each plant, and each stone,
lives motionlessly. I hear my food feeding my veins
with each living thing that this plain provides.
The night doesn't matter. The square patch of sky
whispers all the loud noises to me, and a small star
struggles in emptiness, far from all foods,
from all houses, alien. It isn't enough for itself,
it needs too many companions. Here in the dark, alone,
my body is calm, it feels it's in charge.
The room's already dark, the sky's starting to turn.
Outside my door, the quiet roads lead,
after a short walk, to open fields.
I'm eating, watching the sky—who knows
how many women are eating now. My body is calm:
labor dulls all the senses, and dulls women too.
Outside, after supper, the stars will come out to touch
the wide plain of the earth. The stars are alive,
but not worth these cherries, which I'm eating alone.
I look at the sky, know that lights already are shining
among rust-red roofs, noises of people beneath them.
A gulp of my drink, and my body can taste the life
of plants and of rivers. It feels detached from things.
A small dose of silence suffices, and everything's still,
in its true place, just like my body is still.
All things become islands before my senses,
which accept them as a matter of course: a murmur of silence.
All things in this darkness—I can know all of them,
just as I know that blood flows in my veins.
The plain is a great flowing of water through plants,
a supper of all things. Each plant, and each stone,
lives motionlessly. I hear my food feeding my veins
with each living thing that this plain provides.
The night doesn't matter. The square patch of sky
whispers all the loud noises to me, and a small star
struggles in emptiness, far from all foods,
from all houses, alien. It isn't enough for itself,
it needs too many companions. Here in the dark, alone,
my body is calm, it feels it's in charge.
Monday, December 12, 2011
The Darker Sooner BY CATHERINE WING
Then came the darker sooner,
came the later lower.
We were no longer a sweeter-here
happily-ever-after. We were after ever.
We were farther and further.
More was the word we used for harder.
Lost was our standard-bearer.
Our gods were fallen faster,
and fallen larger.
The day was duller, duller
was disaster. Our charge was error.
Instead of leader we had louder,
instead of lover, never. And over this river
broke the winter’s black weather.
Catherine Wing, "The Darker Sooner" from The Best American Poetry 2010. Copyright © 2010 by Catherine Wing.
came the later lower.
We were no longer a sweeter-here
happily-ever-after. We were after ever.
We were farther and further.
More was the word we used for harder.
Lost was our standard-bearer.
Our gods were fallen faster,
and fallen larger.
The day was duller, duller
was disaster. Our charge was error.
Instead of leader we had louder,
instead of lover, never. And over this river
broke the winter’s black weather.
Catherine Wing, "The Darker Sooner" from The Best American Poetry 2010. Copyright © 2010 by Catherine Wing.
Tuesday, November 15, 2011
The Hinge Poem: Dorianne Laux
WHO NEEDS US?
The quiet, the bitter, the bereaved,
the going forth of us, the coming home,
the drag and pull of us, the tome and teem
and tensile greed of us, the opening
and closing of us, our eyes, in sleep,
our crematorium dreams?
The brush of us one against another,
the crumple on the couch of us,
the spring in our step, the sequestered dance
in front of the cracked mirrors of us,
our savage suffering, our wobbly ladders
of despair, the drenched seaweed-green
of our tipped wineglass hearts, our wheels
and guitars, white spider bites blooming
on our many-colored skins, the din
of our nerves, our pearl onion toes
and orangey fingers, our effigies
and empty bellies, our plazas
of ache and despair, our dusky faces
round as dinner plates, our bald pates,
our doubt, our clout, our bold mistakes?
Who needs the footprints of us,
the glimpse of us in a corridor of stars,
who sees the globes of our breath
before us in winter, the angels
we make in the stiff snow,
the hack and ice of us, the glide
and gleam and busted puzzle of us,
the myth and math of us,
the blue bruise and excuse of us,
who will know the magnified
magnificence of us, could there be
too many of us, the clutch and strum
and feral singing of us, the hush of us,
who will hear the whisker of silence
we will leave in our wake?
(C) Dorianne Laux
The quiet, the bitter, the bereaved,
the going forth of us, the coming home,
the drag and pull of us, the tome and teem
and tensile greed of us, the opening
and closing of us, our eyes, in sleep,
our crematorium dreams?
The brush of us one against another,
the crumple on the couch of us,
the spring in our step, the sequestered dance
in front of the cracked mirrors of us,
our savage suffering, our wobbly ladders
of despair, the drenched seaweed-green
of our tipped wineglass hearts, our wheels
and guitars, white spider bites blooming
on our many-colored skins, the din
of our nerves, our pearl onion toes
and orangey fingers, our effigies
and empty bellies, our plazas
of ache and despair, our dusky faces
round as dinner plates, our bald pates,
our doubt, our clout, our bold mistakes?
Who needs the footprints of us,
the glimpse of us in a corridor of stars,
who sees the globes of our breath
before us in winter, the angels
we make in the stiff snow,
the hack and ice of us, the glide
and gleam and busted puzzle of us,
the myth and math of us,
the blue bruise and excuse of us,
who will know the magnified
magnificence of us, could there be
too many of us, the clutch and strum
and feral singing of us, the hush of us,
who will hear the whisker of silence
we will leave in our wake?
(C) Dorianne Laux
Sunday, October 9, 2011
"The Dream" by Louise Bogan
O God, in the dream the terrible horse began
To paw at the air, and make for me with his blows,
Fear kept for thirty-five years poured through his mane,
And retribution equally old, or nearly, breathed through his nose.
Coward complete, I lay and wept on the ground
When some strong creature appeared, and leapt for the rein.
Another woman, as I lay half in a swound
Leapt in the air, and clutched at the leather and chain.
Give him, she said, something of yours as a charm.
Throw him, she said, some poor thing you alone claim.
No, no, I cried, he hates me; he is out for harm,
And whether I yield or not, it is all the same.
But, like a lion in a legend, when I flung the glove
Pulled from my sweating, my cold right hand;
The terrible beast, that no one may understand,
Came to my side, and put down his head in love.
****
To paw at the air, and make for me with his blows,
Fear kept for thirty-five years poured through his mane,
And retribution equally old, or nearly, breathed through his nose.
Coward complete, I lay and wept on the ground
When some strong creature appeared, and leapt for the rein.
Another woman, as I lay half in a swound
Leapt in the air, and clutched at the leather and chain.
Give him, she said, something of yours as a charm.
Throw him, she said, some poor thing you alone claim.
No, no, I cried, he hates me; he is out for harm,
And whether I yield or not, it is all the same.
But, like a lion in a legend, when I flung the glove
Pulled from my sweating, my cold right hand;
The terrible beast, that no one may understand,
Came to my side, and put down his head in love.
****
Saturday, August 6, 2011
Mirror by Sylvia Plath
I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful --
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is part of my heart. But it flickers.
Faces and darkness separate us over and over.
Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.
*****
http://www.americanpoems.com/poets/sylviaplath/1413
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful --
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is part of my heart. But it flickers.
Faces and darkness separate us over and over.
Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.
*****
http://www.americanpoems.com/poets/sylviaplath/1413
Thursday, August 4, 2011
'Poems'
When you come back to me
it will be crow time
and flycatcher time,
with rising spirals of gnats
between the apple trees.
Every weed will be quadrupled,
coarse, welcoming
and spine-tipped.
The crows, their black flapping
bodies, their long calling
toward the mountain;
relatives, like mine,
ambivalent, eye-hooded;
hooting and tearing.
And you will take me in
to your fractal meaningless
babble; the quick of my mouth,
the madness of my tongue.
~ Ruth Stone
it will be crow time
and flycatcher time,
with rising spirals of gnats
between the apple trees.
Every weed will be quadrupled,
coarse, welcoming
and spine-tipped.
The crows, their black flapping
bodies, their long calling
toward the mountain;
relatives, like mine,
ambivalent, eye-hooded;
hooting and tearing.
And you will take me in
to your fractal meaningless
babble; the quick of my mouth,
the madness of my tongue.
~ Ruth Stone
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