The End and the Beginning
BY WISŁAWA SZYMBORSKA
TRANSLATED BY JOANNA TRZECIAK

After every war
someone has to clean up.
Things won’t
straighten themselves up, after all.

Someone has to push the rubble
to the side of the road,
so the corpse-filled wagons
can pass.

Someone has to get mired
in scum and ashes,
sofa springs,
splintered glass,
and bloody rags.

Someone has to drag in a girder
to prop up a wall.
Someone has to glaze a window,
rehang a door.

Photogenic it’s not,
and takes years.
All the cameras have left
for another war.

We’ll need the bridges back,
and new railway stations.
Sleeves will go ragged
from rolling them up.

Someone, broom in hand,
still recalls the way it was.
Someone else listens
and nods with unsevered head.
But already there are those nearby
starting to mill about
who will find it dull.

From out of the bushes
sometimes someone still unearths
rusted-out arguments
and carries them to the garbage pile.

Those who knew
what was going on here
must make way for
those who know little.
And less than little.
And finally as little as nothing.

In the grass that has overgrown
causes and effects,
someone must be stretched out
blade of grass in his mouth
gazing at the clouds.
Wislawa Szymborska, “The End and the Beginning” from Miracle Fair, translated by Joanna Trzeciak. Copyright © 2001 by Joanna Trzeciak. Used by permission of W. W. Norton & Company, Inc.

Source: Miracle fair (New York : Norton, c2001., 2001)

POET
Wisława Szymborska b. 1923

100 Words by Neil Gaiman

A hundred words to talk of death?
At once too much and not enough.
My plans beyond that final breath
are currently a little rough.

The dying thing comes on so slow:
reluctance to get out of bed
is magnified each day and so
transmuted into dead.

I dream of dying all alone,
nobody there to watch me pass
nothing remains for me to own,
no breath remains to fog the glass.

And when I do put down my pen
my memories will fly like birds.
When I am done, when I am dead,
and finished with my hundred words.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Highway Stripper

Once as I was travelling
on a highway
to Mexico
behind a battered once-blue
Mustang
with a dusty rear window,
the wind really sang
for me
when suddenly out of the side
of the speeding car
in front of me
a woman’s hand
with a wrist watch on it
threw away
a series of whirling objects
on to the hurtling road:

a straw
hat,
a white shoe fit
to be a fetish,
then another,
a heavy pleated skirt
and a fluttery
slip, faded pink,
frayed lace- edge
and all
(I even heard it swish),
a leg-of-mutton blouse
Just as fluttery.

And as I stepped
on the gas
and my car lunged
into the fifty feet
between me
and them,
a rather ordinary,
used, and off-white bra
for smallish
breasts whirled off
the window
and struck
a farmer’s barbed wire
with yellow-green wheat grass
beyond
and spread-eagled on it,
pinned
by the blowing wind.

Then before I knew,
bright red panties
laced with white
hit
my windshield
and I flinched,
I swerved,
but then
it was gone,
swept aside
before I straightened up-
fortunately, no one else
on the road:
excited, curious
to see the stripper
on the highway,
maybe with an urgent
lover’s one free hand
(or were there more?)
on her breast
or thigh,
I stepped again
on the gas, frustrated by their
dusty rear window
at fifty feet
I passed them
at seventy.

In that absolute
second,
that glimpse and after-
image in this hell
of voyeurs, I saw
only one at the wheel:
a man,
about forty.

A spectacled profile
looking only
at the road
beyond the nose of his Mustang,
with a football
radio on.

again and again
I looked in my rearview
mirror
as I steadied my pace

against the circling trees,
but there was only
a man:

had he stripped
not only hat
and blouse, shoes
and panties
and bra,
had he shed maybe
even the woman
he was wearing,

or was it me
moulting, shedding
vestiges,
old investments,
rushing forever
towards a perfect
coupling
with naked nothing
in a world
without places.


~A.K. Ramanujan.

Love after Love by Derek Walcott

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

~ Derek Walcott

IN YOU by K.Satchidanandan

When you were near me,
I thought love didn’t need a body.
Now that you are away I know,
Love needs, like voice, a sky,
like water, a stream,
like electricity, a taut wire,
for me to be a cloud, a fish,
a warm tremor, in you.

Be my earth.
Let me blossom in your valleys,
their first blue flower.
Let me run whistling across your tunnels,
With a beacon on my brow.
Let me be a breeze in your woods,
a submarine in your seas.
I would be corn in your fields,
wander in your house
like the odour of mustard
bursting in oil.

I long to be born in you,
forever.

1992

( Translated from the Malayalam by the poet )

Dawning by Yahia Lababidi

There are hours when every thing creaks
when chairs stretch their arms, tables their legs
and closets crack their backs, incautiously

Fed up with the polite fantasy
of having to stay in one place
and stick to their stations

Humans too, at work, or in love
know such aches and growing pains
when inner furnishings defiantly shift

As decisively, and imperceptibly, as a continent
some thing will stretch, croak or come undone
so that everything else must be reconsidered

One restless dawn, unable to suppress the itch
of wanderlust, with a heavy door left ajar
semi-deliberately, and a new light teasing in

Some piece of immobility will finally quit
suddenly nimble on wooden limbs
as fast as a horse, fleeing the stable.

Lesson From the Kama Sutra by Mahmoud Darwish

Wait for her with an azure cup.
Wait for her in the evening at the spring, among perfumed roses.
Wait for her with the patience of a horse trained for mountains.
Wait for her with the distinctive, aesthetic taste of a prince.
Wait for her with seven pillows of cloud.
Wait for her with strands of womanly incense wafting.
Wait for her with the manly scent of sandalwood on horseback.
Wait for her and do not rush.
If she arrives late, wait for her.
If she arrives early, wait for her.
Do not frighten the birds in her braided hair.
Wait for her to sit in a garden at the peak of its flowering.
Wait for her to lift her garment from her leg, cloud by cloud.
And wait for her.
Take her to the balcony to watch the moon drwoning in milk.
Wait for her and offer her water before wine.
Do not glance at the twin partridges sleeping on her chest.
Wait and gently touch her hand as she sets a cup on marble.
As if you are carrying the dew for her, wait.
Speak to her as a flute would to a frightened violin string,
as if you knew what tomorrow would bring.
Wait, and polish the night for her ring by ring.
Wait for her until Night speaks to you thus:
There is no one alive but the two of you.
So take her gently to the death you so desire,
and wait.